I am cautiously optimistic, but I am seeing show posts popping up. Earlier today, I caught myself scream a little when I saw Galactic will be at the Blue Note Jazz Fest in New York City this summer. Could it be true? Can we dance together again soon? So much of our life blood is the energy of live music. Can this be real?
Then here comes my regular “Peakin’ Beacon” email and low and behold, PEAK dates!
PEAK. TOUR. DATES.
The last show we saw before the world shut down was PEAK. Their livestreams were some of our favorite glimmers of normal. I am incredibly excited to be able to share these upcoming show dates with you!
5.30 Yasgur’s May Meltdown, Bethel NY (PEAK headlining Friday night!)
6.17 Stella Blues, New Haven, CT
7.10 Electric Haze, Worcester, MA
7.16 Snug’s Bar, New Paltz, NY
7.23 B.R.Y.A.C. Bridgeport, CT
8.26 Tellus 360, Lancaster, PA
8.27 Altered State Distellery Erie, PA
9.10 ALBUM RELEASE SHOW Knitting Factory, Brooklyn, NY
ALBUM RELEASE SHOW? Yes you read that right. There is a new record in the hopper, and it’s going to knock socks right off. More on that later…
I’m sure I will see your lovely faces at a few of these! See you out there, friends!
This blog has been slowly finding its feet again after a year of lockdowns, cancelled festivals, closed venues, and postponed released. I am DELIGHTED beyond all comprehension to be bringing my followers and readers some exciting stuff and amazing new music. A Perfect Mess has always been set on bringing new music to your ears.
This pandemic has created a drought in new music and I think we are all feeling it’s emptiness in our souls. Just when I think I can’t take any more and might waste away completely, Nyack New York’s prog-fusion powerhouse ShwizZ is here to bathe us in hope and soaring guitar vibes with their new track, Clock Tower. It’s a killer tune and I can’t wait for everyone to get a listen so we can discuss!
Never one to shy away from the melding of meditative music and hard, heavy hitting rock, the guys in ShwizZ don’t disappoint with this new track. Guitarist Ryan Liatsis brings his gorgeously airy guitar work that goes from gentle and introspective to heavy, while still soaring, over the course of the song. It’s like being in a dream sequence as the song progresses through rooms of thought and emotion, changing ever so slightly and then completely before bringing you back. Drummer Andy Boxer is, as always, creating a perfectly melded series of beats that leads you through the highs and lows of the song with effortless precision and perfect emotion. The song also brings in the talents of bassist Scott Hogan who lays a deep, heavy and melodic groove, and William Burgaleta on amazing keys that are at times straight up otherworldly. All together, these gents are creating a deliciously epic trip that I seriously can’t stop listening to.
Not to stop at just an incredible song, ShwizZ has also graced us with a video that you can check out below: Give a watch and a listen and tell me what you think!
How are we all hanging in our quarantines and shut-downs? Is everyone ok? I know the solitude and confusion has been rough on a lot of us, and I am hoping everyone is holding up out there. The one thing that is getting me through these rough times has been the sprinklings of new music I have been getting to write about, pushed along by the fact that you all want to read about it and hear about more – so thank you! I know we are far apart these days, but we will get each other through this. Music is life, after all.
I have said it before and I will say it again – reviewing singles is becoming my new favorite thing. It’s like wine tasting. You get just a sip of something you had no idea you wanted, and now you cannot wait to bring home that whole bottle. It’s even more delicious when you know you will have to wait for more because the album is not out for another month or so. Absence makes the heart grow fonder? Something like that – ANYWAY – the guys in Shwizz have released an epic teaser to their upcoming album, Big Things, with two early released tracks. Shwizz is an incredible band comprised of two members – Ryan Liatsis on guitar, keys, and vocals, and Andy Boxer on drums and vocals. You might remember we did a review of their last record, Shwizz II not that long ago and talked a lot about what incredible players and writers these guys are. Well, guess what? They are back with more of that goodness for you with these two tracks!
I have to admit, I have been devouring these songs amidst all the chaos of the pandemic and our lockdown. I think we can all use something to look forward to these strange days, and hearing these songs is going to be that thing for you. I already cannot wait for the full album to be released, and I think you will find that you agree. This is just a sampling, and the two songs are so diverse from one another that I cannot wait to see what the rest of the record has in store for us.
The first of the two songs is called Unnamed King. It’s a heavy as hell, hard hitting song that the band did with Consider The Source bassist, John Ferrara. Unsurprisingly, his bass lines in this song are epic. The whole song from start to finish is simply fantastic and proves what a force Shwizz is in their writing styles. The drums hit with perfect precision and incredible force. Boxer takes you through the rises and falls in the track with incredible creativity. The guitar Liatsis lays down is soaring and heavy while still being so smart and intricate. Ferrara’s bass work in the beginning is such a different intensity than at the end of the song. The writing is brilliant in that it’s this perfect mayhem of precision and power. I asked Shwizz drum master Andy Boxer where this song came from:
“I wrote the song 4-5 years ago after seeing Consider the Source. I laid down the foundation and Ryan blasted it to another level.” That’s an understatement! Dive into this song and let it take you on a journey!
The second song took me by surprise. It’s called Your Call Is Very Important To Us and if you think it sounds familiar, you are probably right. “It’s inspired by hold music. Like, literally.” says Boxer when asked what prompted them to write the song. When you hear it, you will know right away. It’s an amazing song in that, for a moment, it sounds like every horrible hold experience you ever had. That typical tune. You know the one. Gentle and calming to assist your mood while you wait for someone to take your concerns. Then it breaks into these absolutely gorgeous guitar solos that really highlight what an incredible player Liatsis is. The tempo of the song picks up, then down, taking you up and around on a roller-coaster ride. There are these great drum hits and combinations that set the pace and changes. The whole track intensifies at the ¾ mark, taking you higher and higher with ferocity from the dance between drums and guitar. Then the song comes back down around to that familiar tune and gently ends. I was just floored by the whole thing. I mean, who else can take hold music and make it into a crazy good, intricate song? No one but Shwizz, and that’s why this band is amazing.
That’s why I cannot wait for this album next month. The upcoming album, Big Things, will be available June 26th and you can find out more by heading to the band’s website, https://www.shwizz.com.
Its no secret that I’m an enormous fan of Brooklyn psychedelic jamtronica powerhouse, Peak. Since catching them a couple years back at Arlene’s Grocery for a Jamwich review I was writing, they have become one of my absolute favorite live bands to follow. Their shows are energy packed and laced with powerfully written music that moves you inside and out. Individually, they are some of the most talented players I have ever had the opportunity to work with and are consistently blowing my mind. Together, they are a brilliant blend of skill that is creating some of the most exciting music to come out of the Northeast jam scene right now. If you have not gotten out to see them, I can’t say enough that you are missing a really good damn time.
Just this weekend, the band officially released their first batch of favorite jams from 2019/2020 Winter Tour live shows called Hot Clips Volume 1. This is the first release from the band with their current lineup – Jeremy Hilliard on guitar on vocals (Turbine), Kito Bovenschulte on Drums (Particle), Josh T. Carter on Bass (Hayley Jane and the Primates) and Johnny Young on keys and vocals (Mick Taylor, Artimus Pyle). The band has been extremely busy between touring and building their home base studios in New York. The album is available now on all platforms, so pick your favorite and give it a good listen. With the pandemic cancelling shows and tours left and right and grounding live music as we all self isolate, this release is a wonderful salve for those itching for delicious live jams. The music was lovingly mixed by the band’s own Johnny Young and the sound is fantastic.
As for the tracks themselves, one of my favorite songs that Peak does live is Barometric Pressure (Here Comes The Rain). The version on Hot Clips is as good as any I have seen live. It’s got Johnny’s trippy key work blending over Kito’s intense drumming. The guitar and bass come in between and create the perfect shake your body dance track. Seriously, if you are standing still when the jam kicks in ¾ through, you might want to check your pulse and make sure you’re still alive. I would put these guys up against any major jamtronica player in the scene right now because they more than hold their own – they are dominating. Another favorite that got included is Win Some, Lose Some. This song has such a cool city vibe. It feels like a dark club and a cold beer when it starts out. The vocals are fantastic and super clean. The song itself is a perfect blend of funky groove and bluesy jam. Jeremy’s guitar work on this track is exceptional and really showcases him as a player. Josh’s bass work is equally stellar on this track and just funky as hell. Path Paved with Roses is my absolute favorite Peak track, and seeing this song live is some of the most fun I have ever had standing up. Not that I was standing still, because I wasn’t. That’s not possible. This is some of the best Kito/Josh bass and drum work in all of Peak’s live catalog and if smiling had a sound, this would be it.
Can’t Love Somebody is a really cool Johnny fronted track with some really fun jamming that kicks on halfway through. They do some really fun builds in the jam and hit these great climax moments. Just super fun stuff. Wild Ride is another one we love to get down to live, so I was excited to see that one featured. It’s some immediately body-moving groove that I would dare anyone to try and keep still during. It’s not possible. Songs like this one just permeate you and before you know what’s going on, you are dancing with whoever happens to be next to you. I know this first hand. The dance jam on this song is absolute fire. I have never been someone that got down to live albums all that much, and this is a collection of songs that I can totally rock out too. They are extremely well done in not just the songs themselves, but the recordings are super clean. It’s a lot of fun to review music you genuinely love, but what these guys are doing is so much more than that. Their ever evolving music is a breath of fresh air in a really stale room. Don’t take my word for it though, and give it a listen. Give yourself some room to dance too…
Check out Hot Clips Vol. 1 on all the places you like to stream, and keep an eye on what Peak has going on. As soon as it’s humanly possible, they will be rescheduling their spring tour so you can get yourselves out there and shake it along with them live. Until then, let this new release keep you moving. Jeremy will be doing a live stream on Peak’s Facebook page (link below) on Monday March 30th at 8pm. I checked out his last one and it was super fun! Listen in, toss some tips, and love on some live music.
I hope everyone is staying safe and healthy, and I can’t wait to see you all out there again really soon!
I have had this blog almost a decade. In that time, it’s grown as I have grown. My taste in music has always been eclectic and varied, but what I was reviewing was pretty safely within modern folk and very ska and reggae focused for a long time. My husband had tried unsuccessfully to pull me into the jam scene for years and I guess I just wasn’t ready to let go of all my preconceived notions yet because I resisted. Then one day while driving his car, Twiddle came on. Something in the song I heard resonated within me, and it wasn’t surface. It was deep. It reached into me and found a place that was parched and hurting and doused it in understanding. It had been a long time since a song hit me that hard, and I got curious. I started to dissolve their whole catalog and career up to that point. It led me to other artists I devoured just as hard. It led me to shows and festivals. Twiddle was my gateway to this scene – a place I have found love, acceptance, friends, and so much to write about.
Beyond Twiddle, I have been a fan of Mihali on his own for a while. I have seen him cover Round Here from the Counting Crows, one of my very favorite songs, in such a manner than I found myself screaming along in tears. A few years ago while interviewing Aqueous in the hospitality tent at a festival I was covering for this blog, Mihali strolled in and had a seat with us. He was delightfully kind, which was appreciated when I fully expected him to act in line with his success. (something I have encountered all too often since starting this blog) It was a wonderful surprise that I take great pleasure in telling people who decide to talk trash.
I guess that’s part of the reason I have been so damn excited for this solo record from Mihali to drop. I have been craving more of that vibe that pulled me in so hard. The record, Breathe and Let Go, is everything I had hoped it would be. It has the uplifting soul and deep feel of someone who has so much to say, but words don’t say enough so he artfully crafted music to narrate that train of thought. While you find words sung by a voice so uniquely Mihali, you also find and entire album’s worth of musical explorations to carry you where you need to go.
The album kicks off with the title track and its bright acoustic entrance, flavored a short time in with some steady beat and words that I think I really needed lately. “Breathe and let go, relax and go slow, let your life unfold…” Mihali is narrating a string of thoughts that I think will resonate with a lot of people in these tumultuous times when we are not sure if our path is the one we should be on, and that maybe we think about that too much. Or at least that was my take. The song Stubborn Smile was one that was released a short time ago, giving us all a taste of what was headed our way. It quickly became a favorite of mine. It’s that light reggae feel with fun sing a long vocals that we can relate to hard these days. I have always loved the thoughtful and reflective way that Mihali constructs vocals. It’s one of the reasons I loved Twiddle so much. Mihali sings songs I can so deeply feel, not just hear.
The track Enemies is stellar on its own, but it’s even more delicious with the talents of Matisyahu laced throughout. It has this deep, get-low kind of groove that infects you with a feeling that shakes your hips good and slow. I am digging hard on Mihali’s vocals on this one. His voice is very uniquely his, but I like what he does with some of his higher edges on this. Carved Lines is another good one that plays with acoustic guitar and self reflection. I like that stripped down sound so much. As much as I like Mihali as part of a powerful and talented four piece band, I really dig his work in a singer/songwriter role as well. It suits him just as well. I also really love Over Land and Sea. It reminds me of so much of the 60’s folk flavor I have been covering myself with my entire life, care of my parents and their deep love of that scene. It’s a stripped down song about love, simple and soulfully delicious. This song and it’s feel is everything I love so much about music.
My favorite song on this record didn’t surprise me, because it’s the first solo song I knew of Mihali releasing a million years ago – Fading State. I have been loving this song for a while! The track features guest vocal from Nahko and Trevor Hall, creating a triple threat of vocal groove and vibe that kicks you good and hard in the soul. My background and deep love for all things ska, reggae, and rocksteady lit up the first time I heard this track. I love so much about the feel of this song. Its not like the other songs of deep personal reflection, and instead seems a call to action – and man, do we need that. “It’s time to wake up”. That’s an understatement, gentlemen. We should be playing this song loudly right now, sharing it with everyone we know, and inspiring that awakening. I see this as an anthem for the balance of this year while we navigate this storm together.
All in all, the album is thick and warm with feeling. It illustrates the broad stroke of Mihali’s pen, and I love that it really shows his soul wide open in its words and feel. You don’t need to dig Twiddle to appreciate what he has done here. This record was well worth the wait, and I look forward to playing it on repeat this weekend. There is so much to love. Much like life. You can find it streaming everywhere right now, and I encourage you to get on that immediately.
You can catch Mihali out on tour in support of this record with friends like Brandon “Taz” Niederauer, Luke Mitrani, and Rich Ortiz. He puts on a really great show, and I plan to head out for the Bowery Ballroom show on March 31st myself. I hope to see you out there!
STANHOPE, NJ – JamFam Music & Arts Festival is thrilled to announce their list of Artists for their inaugural line-up taking place at Waterloo Village in Stanhope, NJ on July 24-26, 2020. Early Bird General Admission and VIP Packages are available for sale now. The festival is announcing the following acts, with more artists to be announced soon:
The scheduled headliners are New Riders of the Purple Sage & Melvin Seals and JGB. With an additional 20+ well known artists that include: Jazz is Phish, lespecial, Out of the Beardspace, Flux Capacitor, Creamery Station, The New Motif, Cousin Earth, Jabbawaukee, Muscle Tough, Dogs in a Pile, Higher Education, Waiting on Mongo, This Old Engine, Cosmic Jerry Band, Uncle Ebenezer, Jeb Jones, Soular Bone, Comfortably Floyd and more artists to be announced soon.
The New Riders of the Purple Sage will be performing their 50th Anniversary show at the JamFam Music & Arts Festival and dedicating the anniversary show to Buddy Cage. Buddy Cage a long-time bandmate who played the pedal steel guitar of the New Riders, who passed away last week.
JamFam Music & Arts Festival is a two-day/ two-night RV and/or car-camping event, igniting the concert and adjacent fields into a Jam Band oasis of continuous music taking place on two stages. The festival is nestled in the Appalachian Mountains of Northwestern New Jersey in the historic town of Stanhope.
Waterloo Village and the concert field have hosted numerous iconic recording artists and musicians mostly during the 1980s and ‘90s. The magic and mystique of Waterloo will be revitalized this year with the JamFam Music and Arts Festival. The bands that have played this historic venue in the past include Phish, The H.O.R.D.E. Tour, Lollapalooza, Bob Dylan, Muddy Waters, The Gregg Allman Band, America, Arlo Guthrie and The 25th Anniversary of Woodstock… just to name a few. The region’s best food and drinks will be available as well as numerous regional and local artists and artisans creating an enjoyable and interactive festival experience.
A limited number of 2-Day Early Bird Passes and VIP Packages are available now. 2-Day Festival & Camping Packages are available for $129 and 2-Day VIP & Camping Passes are $249. Single day passes will be made available when the full daily schedules are announced. Tickets are available at the JamFam website at www.JamFamMusicFestival.com/tickets.
“Our goal was to ignite the hallowed grounds of Waterloo and create a new beginning for this iconic venue while keeping the area spotless,” explained founder and producer, Michael Kestin. “The JamFam Music & Arts Festival will feature a ‘Leave No Footprint’ commitment to eco-conscious partying and music with an aim to protect the beautiful and lush landscape and environment. All camping guests will be given eco-friendly recycling and garbage bags to take with them upon exit. Littering of cups, cans and cigarette butts is prohibited.”
In case you are living under a rock today, we are here to let you know The Peach Music Festival has released their initial lineup and opened up early bird ticket sales. I hopped on over to take a look at the poster and let me just say…
If there is any festival you need to be at this year, this will be it. Setting up from their home base at gorgeous Montage Mountain, PA, the festival will gather friends from July 2nd to July 5th with fireworks every night. Massive headliners like Umphrey’s McGee and moe. are blazing forth from the lineup poster – and OYSTERHEAD. Freaking Oysterhead is poised to be the festival surprise winner for 2020, mark my words. I have been a disciple of Les Claypool for 25 years so the opportunity to see him tear it up would be a dream. In addition to that fat bag of awesomeness, festival favorites like Twiddle, JRAD, and Aqueous can be found below on the lineup poster. The incredible Dopapod is there too. Keller, Goose, Magic Beans, Kitchen Dwellers, more and more… There was seriously way too much girlie “squeeeee” in my voice as I read these names off, one by one. We have been able to catch so many of these incredible bands over the years at separate festivals and shows, and the opportunity to catch them all in one weekend has me seriously excited in the pants.
Peach is one of those festivals that I have been wanting to go to for years but just have not been able to make it happen. This is poised to be the first year A Perfect Mess is there to give our readers the full on low down. I’m already on the website trying to secure tickets under the payment plan, and judging by how my log-in screen is just spinning around and around forever, so is everyone else. You can head on over and get your early bird passes at http://PeachMusicFest.com
I remember my first discovery of Aqueous about four years ago. I was just starting to feel them on my radar as I was delving into the scene. I loved the dance and funk fueled rock jams they were throwing out there, and I loved that they were so fresh in their sound. I got to see them open for Twiddle in Stroudsburg, PA at the Sherman when I wasn’t totally familiar with their catalog yet and danced my ass off. The following summer was my first really getting into festivals and they were just EVERYWHERE. Every lineup that dropped that spring had them on it. They seemed to be on so many things at once that I was wondering how the heck they were pulling it off. Teleporting? Holograms? We were able to catch them several times that summer. I thought at that time that these guys must be the hardest working band in the jam scene. I know now that I was right, and that it has paid off.
As a band, these are some of the most polished and dedicated players doing it out there right now. They pour themselves intro their craft – heart, soul and body – so completely. You can hear it in every lick and beat they put out into the universe. As people, they are some of the nicest that I ever had the chance to have a mildly intoxicated, taco-gifting tent interview with at a festival. That kind where it’s too loud to hear much of anything said in response to your questions, so you spend as much time as you can just making sure the band knows they are making people happy with their music. Because they truly are. Their last full length record, Color Wheel, blew my mind more than a little bit and remains one of the best albums that came out of 2018, in my opinion. I was delighted to learn they were dropping an EP, and curious as to what it would give us.
The record, Burn It Down, is a funky four track trip through rock, dance, and jam flavor and it’s dropping with a fresh style and just a touch of delicious throwback. “Come and Go” is absolutely my favorite song on the record. It’s got a clean and steady drum beat with fantastic vocals and guitar fire, lit up over a hot bass line. This is a constant hip shake track with singable vocals and I am completely unable to sit still listening to it. It’s got an almost Duran Duran thing happening in the vocal. The band caught such a cool vibe when they wrote this song and it holds strong from start to finish. I really want to check this out live! The title track, “Burn It Down”, is a straight dance rock hop with those awesome vocal harmonies and hip shaking bass and drum groove. The guitar work is straight fire on this track and you won’t be able to help but sing along. This song is amazing and makes you MOVE!
“Little Something To Me” is a slick trip of a track that grabs you with those harmonies and holds you with that sexy groove. This song has something really cool with its stepping drum beat and dirty rock guitar flavor. The final track, “On The Edge”, reminds me of pop rock in the late 90’s and listening to it just shot me back to my early 20’s. I love that about music. Some artists are so good at capturing a groove or a vibe and injecting it into the new music they are writing so that their listener is jolted to another time and space in their soul. Aqueous has gotten really good at this. I don’t think most bands can pack this much flavor and punch into a 14 minute, four song EP – but Aqueous did it. Burn It Down is straight fire.
You can catch Aqueous playing with Twiddle at The Capitol Theater on November 29th and 30th. These two bands put on an incredible show and we really hope to be there. Mostly, I am really wanting to hear these new songs live. Aqueous remains one of the best live bands I have ever had the pleasure of rocking out to, and I can’t say enough that you should be checking them out! Give your ears a taste of Burn It Down as soon as humanly possible. You need this in your life.
This is a review I put off accidently for WAY too long.
We happened to catch this band this past summer at a festival as an opener and we were so floored, we couldn’t stop talking about them. We listened to this album all the way to the festival and then again all the way home – and for weeks after. This young band threw so much of what I expected from them right out the window with their unique sound and feverish energy. Then life happened and my review never got posted for 800 reasons, most of which revolve around me being a basket case. But I can’t let the year slip past me and not talk about this fantastic band. They are called One Time Weekend, and their 2019 release Weekend at the Circus is going to be your new favorite record. Don’t take my word for it. Just go listen.
The band themselves are a four piece from Connecticut that have been turning heads all over the upper Northeast since their beginnings in 2016. For us down yonder in New Jersey, we hadn’t heard of them until they were popped on a particular festival this year in Upstate New York and flew into my sights. Their recorded material is polished and many sided. Their live show is bursting with energy and movement. Honestly, I can’t wait to see these guys blow up all over the festival scene for 2020 and if they are not everywhere, something is wrong with the universe. These kids have that thing. They have the drive, and they have the spirit. They are something special.
But let’s talk about this record. Weekend at the Circus is a wonderful blend of jammable rock infused with elements of pop punk, funk, and it’s not going to be anything you expect. The record opens up with energy infused Dongo Bongo with its body moving prog-type groove and fantastic vocals. There is so much in this song that makes me feel like a kid in the mid-90’s and it’s so cool. This band captures a vibe that isn’t easy to project and yet here they are, doing it perfectly. The second track Cavity has a slow start that pumps into a march before exploding into a really fun folk punk stomp that reminds me of Streetlight mixed with really fantastic vocals. I love this song.
The album has so many flavors. Omelet gives you funk scratch with screaming fast paced vocals that go into a hard rock breakdown. The song One Time Weekend is full of killer guitar work laid over some slow reggae feel with great vocals. I know I keep mentioning the vocals on this album, but they are stellar. Well written, well executed, singable as an audience member or just driving in your car. There is nothing better than that! But everything is that good. The bass lines are fire. The guitar work is incredibly intricate and complex without getting boring. The drums are steady and groove heavy. These guys are just really freaking good. One of my other favorites on the record is Dr. Funk with it’s plucky guitar intro that spreads over into a clap-along funky parade of sounds, complete with brassy accents and super fun groove. This album is simply one of the most fun from start to finish that I have heard in a long time. Every single song is good. No need to skip anything. How often can we say that about anyone’s record lately?
These guys have a bunch of dates left on their fall tour schedule, some with our friends in Catallus! Get yourself out there and see these guy do that thing they do. Here is hoping they add some New York and New Jersey dates for the new year! You can check out the album Weekend at the Circus on Spotify or wherever you like to listen to stuff. I like Spotify. And Spotify likes me. I am a huge fan of One Time Weekend and I suggest strongly that you put them in your ears ASAP. These guys might be young, but they are incredibly talented and it’s my prediction that you will be seeing them all over this summer.
The music in this scene never stops surprising me. When I first learned who MOM AND DAD were, my immediate impression was, “Ok…so you have one half of Dopapod, and it’s the rhythm. This is going to be magical!” And, well, I was half right.
MOM AND DAD is absolutely magical – and absolutely nothing like the rhythm of Dopapod. In fact, what I have learned is that to assume that sort of thing is to do these creative writing minds absolutely no justice. This three piece packs a massive punch of their own and it’s worth talking about. The band’s upcoming second album, 21st Century Blues, is a heavy stepping trip through multiple genres, styles, and concepts and reminded me that music can still be so incredibly diverse within one record. And I love that!
The album’s first track, Video Games, comes in hard and electric like a transformer fire. It has a great heavy sonic-rock type of flavor that is exciting and fun. Bonus: it’s super easy to sing along with! The second and title track, 21st Century Blues, is a bluesy (obviously) brooding modern tune about waiting for that return text or that social media “like”, and it’s absolutely necessary for the world today to hear. It’s hilariously accurate. I can see myself sing-quoting this super fun, electric feeling song for years to come. Don’t miss the fantastic solo at the 3 quarter mark!
One of my favorite tracks on the record is Caffeine. This song is an accurate audible representation of what my brain feels like on actual caffeine, which I consume in enormous quantities. I can feel each electrode firing with each drum hit, each bend of a guitar string, each electronic key sound. Plus the bass line in this song is creatively laid out and really cool. Another favorite of mine is Help Myself. It has a throw back dirty rock vibe with guitar solo fire and some really great vocals. All in all, this is a stellar record. It’s a super fun trip from a band who quite obviously doesn’t take themselves too seriously. They absolutely could, it would be well deserved seeing as they are incredibly solid musicians and stand out folks in this scene. But they don’t, and that makes me like them so much more. It’s also worth a mention that there was a SIX YEAR GAP between their last record and this one! I am sure there are some folks who have been waiting very patiently for this album, and they will not be let down.
I love to get band perspectives on their cool records when I can, so I threw a few questions at MOM AND DAD guitar guy Ben Sword to see what came out!
APM: How did MOM AND DAD come together initially?
Ben:“Chuck and I have been playing together since we were seventeen. We both attended Berklee College of Music, where we met Neal. After scraping some songs and sounds together in Neal’s basement, we started playing shows in Boston in 2010.”
APM: What was it like writing the album? Were these songs that came together quickly, or grew slowly since your last release (2014)?
Ben:“Some of the songs on this album were written recently, and a few of them were written some years ago. Once we chose the songs to start tracking, piecing the album together came naturally. We even have a few tasty leftovers that we did not use for this album.”
APM: Any special recognition for folks who helped out on the album?
Ben:“NO!…….jk. We tracked drums and a few other things at Mountain Star Studio in Black Hawk, CO. Our good friend Jocko at More Sound Studio in Syracuse mixed and mastered the album. Sarah Kirsch gave us some incredible vocals on the song “Video Games.”Larry Elefante provided the photo that was the inspiration for the album cover.”
APM: What are your plans for 2020?
Ben: “Another album. Probably of the “consistently loud” variety.”
And there you have it, folks! 21st Century Blues is super creative and fun. Each song is an exciting individual and I love that aspect of it. On a first listen through, you have no idea what is coming next. Despite playing all over the place this past festival season, I have yet to catch these guys live. This record has made that a personal mission for me, so I hope their 2020 plans include a trip to play the tri-state area. If you are in the Denver, CO area, do yourself a favor and head out for the band’s album release show at The Larimer Lounge on November 7! Keep an eye to the band’s page for more shows and goods on what the band has coming up at http://www.momanddad.band . Check out 21st Century Blues as soon as you can! I recommend it highly!