Review: Elephant Wrecking Ball – Joy Front

Music is life. It’s a living, breathing thing that is ever growing and changing. More than that, music is this amazing blank canvas that we entrust to artists. On it, they create magic that tickles our brains and weaves us into memories, emotions, journeys and stories. This amazing thing happened as I started to write about music in this scene – my mind opened to all these explorations in sounds that I had no idea I loved so much. The most recent one of these that I have had the privilege to explore is Elephant Wrecking Ball. They have a new record out called Joy Front and it’s blowing my mind. So much of what I have always tried to bring to my readers is the vibe – the feeling of the music I am listening to. This record has made me feel things I have a heck of a time putting into words. Honestly, this is one of the hardest reviews I have ever tried to write.

If you are not familiar with Elephant Wrecking Ball, the band is a unique trombone-led trio of outstanding musicians writing a fusion of jazz-heavy art for your ears. Trombonist Scott Flynn, known for his work with bands like John Brown’s Body and Jazz is Phish (to name a few), bassist Dan Africano, also of John Brown’s Body and Ghost Light, and drummer Neal “Fro” Evans, most known for his work in Dopapod, make up this mastery of sound with a brilliant understanding of the way it weaves through the soul. It’s incredibly unfortunate that I am so new to what they are doing because I have become such a fan while just doing this review. I have been missing out.

The album Joy Front is the band’s fourth release and for anyone with a love of sound explorations, this is a must hear record. Within it are electronic elements woven into jazz, groove heavy drums and bass, and something profoundly sensual that is happening throughout the record from start to finish. If ever there was a group of songs to put on, dim the lights, and let your mind explore within itself, this is it. And I can say that from experience because it’s become one of my favorites to do that with. 

On tracks like Practicing Underdog, the band members almost seem to play with one another as tempos change. You can go from a body moving bass groove into a drum solo all beneath the slinky sounds of the trombone as it rises and falls. Escape From Lemuria is a sexy, almost rocksteady feeling with a steady bass groove that moves you and soulful brassiness. I love how the trombone is out front, singing like a vocal. The title track from the record is another favorite of mine, and I love the way that the drums play under the quick bursts of brass before it all comes in strong and hard, and a little spacey for a moment with steady bass feels. The changes are just so cool. Its fun the way this music takes you places in your mind while you just move your body with the flow. There is so much to love going on in Joy Front

The band is on tour through November 2nd and I can’t suggest hard enough that if you are able to, you get out and catch Elephant Wrecking Ball. This is sound explorations that go so many places. This is art for the ears. This is the soundtrack you have been looking for. The album is available on Spotify (if that’s your bag, baby) and other outlets. You can keep up with the band on their website at https://elephantwreckingball.com/

I am hoping they are in the tri-state area in the new year because this is a live music experience I look forward to having as soon as I can. See you out there, friends!

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