Let me start this off by saying that I despise my birthday. I don’t often have a good one, and sometimes they are downright terrible. Now that I have hit my 40’s, it just feels like a reminder that I am spiraling out of control into the great abyss. So this year, when I was asked to cover PEAK at Brooklyn Bowl, I decided this fine evening was going to be my birthday celebration. I had never been to Brooklyn Bowl at all (…I know, right?! How did that happen???) and PEAK shows have become some of my favorite outings. Plus they were there in support of TAUK who I had never seen live, and there would be beer, so why not? Birthday locked and loaded – lets go!
I said in my previous post that the first time I caught PEAK live was last year around this time. I thought then that they were one of the most fun live bands that I had seen in a very long time. Little did I know they would take that evaluation of mine and blow it to the moon this past weekend. Over the last year, through lineup changes and new songs, the band has become a performance powerhouse. Their live show is floor to ceiling energy exploding from start to finish and if you can manage to stand still during it, I just don’t know what to do with you. With masterful songwriting and outstanding stage presence, the band is already standing strong. Factor in how they bring forth exceptional vocals, explosive drums, groove heavy bass, and a guitar and key team that you would think have been working in tandem for decades, and you have one of the most exciting live bands to hit this scene in a long time. If you have not seen PEAK yet, you are missing out.
The show started out tamely and steadily with a trickle of crowd coming into Brooklyn Bowl. Folks were grabbing a quick bite or hovering around the bar for a pint and the music was trickling into their ears. You see, PEAK has these fantastic guitar solos and the stellar vocals. The music pulls you in and before you know what is happening, it starts that quick hip shake. I love reviewing shows because people watching in the crowd is one of my all time favorite pastimes. I stood off to the side and watched as ears perked up and people started to take notice. Slowly they were moving towards the stage.
As the show progressed, the beats got steadier and quicker and this magic started to spread through the room. People were coming closer to the band, bodies were swaying, and even the bowlers had taken notice and had started to migrate towards the stage from the side. By the three quarter mark, I was in the crowd dancing with everyone and watching as people remarked to those standing near them, “Who is this??? This is great!” It was a true delight to watch people taking notice of this band I had been enjoying watching the progress of for the last year. I was more than happy on numerous occasions to exclaim, “THIS IS PEAK!” (caps for yelling over music-effect)
By the end, I was more or less spilling my beer all over the place due to high intensity dancing fits. I would imagine it was NOT pretty, but the energy of the night was just infectious. Is this what a GOOD birthday is supposed to feel like? This was the best I have ever seen them play. They were so very on that night and the smiles between them showed it. My legs are still sore two days later from the dancing. Guitarist, vocalist, and founder Jeremy Hilliard and keyboardist and vocalist Johnny Young brought out some killer harmonies and seriously nasty solos. New to the band extraordinary bassist Josh T. Carter knocked it out of the park with his grooves and really displayed what an exceptional player he is. Drummer Kito Bovenshulte absolutely blasted the energy in the room with his steady dance beats and effortless style. He is just one of the greatest drummers on the scene right now. Think I’m lying? Go see PEAK.
Honestly, if I don’t see PEAK all over the late night festival scene this summer, there is something profoundly wrong with all of you promoters out there and you need to find new work. I know much of that crowd was there for the exceptionally awesome TAUK (who blew my mind with that Hendrix set…good god, dude…) but they were stoked with what PEAK put in their souls that night and their explosion of applause at the end of their set was evidence to that. I hope you were there to feel that energy in the room but if not, don’t you worry! They have more dates coming up and you can be there. Check the list below and follow the band on their website at http://www.peaktheband.com.
It’s easy to sing the praises of bands you like, but when you get to sing the praises of bands who are genuinely doing exciting things and creating a super fun vibe out on the venue floors, it makes having a blog all the more fun. Truly one of my favorite live bands right now is New York City’s PEAK. Last year I was sent on assignment for a show review over to Arlene’s Grocery to cover their show, knowing little about the band except that they had put out a song earlier in the year that I was mildly obsessed with. I showed up, did a quick and dirty interview, and hung back for the show not really knowing what to expect. Let me tell you honestly, that show was the first in quite a while that really lit me up! I was floored by the live experience the band put out that night and super excited to put that down into words. I have been following their progress ever since.
The band’s 2018 release, Electric Bouquet, was a fantastic introduction into the unique style they project. There is a blending of flavors that creates a very fluid and energetic vibe with enough groove and progressive concepts that you never get bored listening. Pair that with an exceptional live show, and you have a super fun recipe for success. You don’t have to take my word for it though, as the band has released the first chapter in their HOT CLIPS series, with Volume 1. Recorded at BRYAC in Bridgeport, CT on July 27, 2019, it features seven tracks that do well to highlight the band’s style. You can check out songs like Wronged Man, Funk and Tonic, and personal favorite Path Paved with Roses. Give a listen below on Soundcloud and see for yourself what PEAK live is all about.
Since I caught PEAK for the first time at Arlene’s last year, the already very capable and talented guitarist/vocalist Jeremy Hilliard and keyboardist/vocalist Johnny Young have ramped up their live footprint with the additions of bassist Josh T. Carter (Haley Jane and the Primates/SunDub) and drummer Kito Bovenschulte (Particle/Fikus). I always dug what the Primates were putting out and Josh is a stellar bassist (and I’m married to one so I am a bit biased). Kito is easily one of the best drummers I have seen, hands down. We caught them a couple months back at Sarah Street Grill in Stroudsburg, PA playing with Crow’s Wine and their live show absolutely crushed. Adding these two very accomplished musicians to an already stellar base of great songs and talent has built what will surely be a live force to be reckoned with on the scene. This is a band that truly meshes extremely well on stage and the result is an incredibly fun and exciting groove to find yourself caught up in. Standing still is just not an option. This Saturday, you will be able to see that for yourself if you find yourself in the NYC area as PEAK will be at Brooklyn Bowl supporting TAUK. We will be there, so I fully expect to see you all out there shaking it as well. (details at the end of this article)
I caught up with band founder and scene veteran (formerly of Turbine) and super swell guy Jeremy Hilliard to get a quick word about the recent lineup changes and what the band has in the hopper for us:
“The band has been in flux line-up wise since I started it three years ago, and finally it feels like the right lineup. The band has really come together and I’m humbled to be playing with these musicians. I kind of woke up one day and it had all come together, which is a great feeling. That all said, it’s very new and although the chemistry is right, we have to get a tour or two under our belt and put in the time to really find out what we’re capable of. But we couldn’t be more excited to do that.” As for what’s coming down the pike for PEAK: “We have enough songs and have an idea for the next album (or TWO) and we are currently renovating Johnny (Young)’s studio and plan to self produce – which is very exciting. I’ve never done that before. We have a huge renovation task ahead that is starting next week, and hope to finish that and be ready to record by early 2020. “
My love for Twiddle is well known on this blog. It was them who built me the bridge that I guardedly walked across into the jam scene from my high walled little world in ska, rocksteady, and reggae – leading me to everything I discovered after that. (which this blog has been a log of along the way) They and their live shows helped me into a whole new world. Friends met, lessons learned, eyes opened. I admit that I get a bit offended by critics of the band because of how much they helped me find that part of myself. As a collective, the band is a masterful batch of songwriters. You don’t have to like them. In fact, you can downright loath them. But if you deny their abilities, I’m sorry – you simply aren’t listening because you don’t want to. And you’re missing it.
One quarter of that songwriting master team is Mihali.
As a solo performer, he is much more than his role in Twiddle. I saw him perform as half of Gubbilidis (with fellow Twiddle alum Zdenek Gubb) a couple years back and was brought to tears when they did Counting Crow’s very 90’s tune, Round Here. (a personal favorite for a million reasons that I am sure no one wants to hear) I was super impressed with half of the band. I am floored by just Mihali on his own. He is able to capture something very deeply soulful and earthy in his style of composition that I have a hard time finding words for. I was super excited when his song Fading State hit last year and I was eagerly awaiting for an album to drop. Based on the online chatter, I am not alone. Unfortunately, it hasn’t yet. However, we have been blessed with another track to groove on. You don’t have to love Twiddle to be able to get down with what Mihali does as a solo artist. His flavor is uplifting and groove heavy, and this new track, Stubborn Smile, is no exception. This track is delicious.
Stubborn Smile has a mild reggae feel but a soul gripping clutch with it’s vibe. If the melody doesn’t grab you, the lyrics absolutely will. We live in some tumultuous times right now and I know I am not the only one walking life’s road with a lot of uncertainty. This song strums those chords deep – how we know what we have to offer, but maybe we don’t know where to lay it down. We know we are imperfect beings, but we know we have something for this world. We might not have found the way out of the rut we ride in this road yet. Mihlai has a great way of verbalizing things in the heart. He did it again with Stubborn Smile, and it’s just really lovely. There is a delicateness to strong words and thoughts in his delivery, both musically and verbally. I think that is where his magic lies as a performer and a songwriter. All in all, this is just a really great track and has bolstered my desire for a full length solo album. I really hope something hits soon!
I encourage you to head over to Spotify or your spot of choice and give Stubborn Smile a good, hard listen. I have it on repeat today and recommend it highly.
Mihali will be out on the road soon for his fall tour. Get on out and check him out! You can find some more information on dates and tickets on his website, http://www.MihaliMusic.com
I was kind of late to the party on Dopapod, despite seeing them play with my husband’s band a million years ago. It was a few months before the release of their album MEGAGEM that I was really delving into their catalog and getting into the unique songwriting that they were mastering. When MEGAGEM was about to drop, I got an advance copy and sat down to digest it for a review. That album blew my damn mind. Everything I thought I knew about the band (and a lot of the music I was listening to at the time in general) went right out the window and I was reminded WHY I was getting so into them. As songwriters, they are stellar. The creativity is unmatched. In that mix is guitarist/vocalist and super nice guy on the scene, Rob Compa. Now Rob has a solo album called Same Damn Thing and believe me when I tell you, no title could be further from the truth as a descriptive.
The album is a fantastic departure from everything you know of Dopapod outside of that fantastic guitar work, and even that sounds very much it’s own thing on this record. It’s no secret in the scene that Rob is an incredible player. He tours as half of the Compa Gantzer due with Aqueous ax man Mike Gantzer, he sits in with pretty much everyone on festivals he plays, there are numerous videos of guest spots and sit ins that pop up whenever Rob is out on the road for any reason, not to mention he does instructional videos on Instagram for fans and guitar heads alike. His role in the songwriting of Dopapod makes it obvious that it’s a strongpoint, but listening to what he puts out as a solo effort really makes that stand out all the more. Rob Compa is a fantastic songwriter.
One of the reasons for this is that in between the great guitar work and serious groove is a mix of thought provoking musings and tongue in cheek jabbings, vocalized and strung delicately through the mixes. I was already a fan of what Rob does, but after this, my respect for him as a musician skyrocketed. The songs are fun and well put together with interesting plays on style and genre. The first track, Better Late Than Never, has a heavy strumming groove laced with slide steel guitar sounds that give a bluesy vibe with a light country western flavor dusting. Rob plays with that bluesy feel in several places on the album, like Garbage Man. I love the lyrics on this song as well. It has the storytelling element, which Rob has a great voice for as he makes it easy to pay attention to the lyrics. The track Hi Doggie has a dirty rock edge with Rob’s particular brand of shredding throughout. It’s a great song with a great vocal flair. The album all together is strong as hell, and changes up as you go from track to track. There is a strong versatility to the way the songs are put together that leaves you guessing as to what you will hear next as the song comes to an end. That is INCREDIBLY refreshing among stacks of albums that sound like one regurgitated song over and over.
Still, listening through, I had some questions that no one would be better to answer than Rob himself, so being the annoying little thing that I am, I asked!
APM: So first off, I love how much of a departure from Dopapod that this album is. How long have you been sitting on a solo album concept? Was this something you were working on during the band’s hiatus?
RC: “When the band wasn’t playing, I sort of had a realization. I had spent twenty years basically just being focused on being as of a good of a guitar player as I could be. I still think of myself as a guitar player first, and still kind of a beginner as far as writing music, but I sort of started to feel like good guitar playing is kind of futile if it can’t exist in good songs.
One kind of important moment for me happened when I went to a straight ahead jazz jam at a bar in Philadelphia, just a month or two after the band had started the hiatus. I love playing and listening to bebop, but I don’t have any illusions about what kind of a guitar player I am. I’m a jam band kid who loves studying jazz, but I’m far from being a first call straight ahead guitarist.
Anyway, I went to this jam, and I had a pretty lousy experience. I went home telling myself I would shed whatever song I had played with the house band and come back the following week and be that much better and prove that I could “hang” as as the jazz dudes say.
The next morning I woke up, and I thought to myself “why am I going to sit around and practice songs that were written seventy years ago? Go make something of your own.” That was the day I started writing the song “Hi Doggie.” “
APM: Any special recognition you would like to highlight for fellow players on the record?
RC: “Well, firstly, Jocko Randall at More Sound Studios is absolutely the biggest reason this was able to happen. He was unbelievably generous with his time and guidance, and was an amazing teacher through the whole experience.
Also Russ Lawton (Trey Anastasio Band, Soule Monde), who played drums on every song except for one, was a super encouraging and positive soul through the whole process, not to mention having one of the deepest grooves I’ve ever gotten the pleasure to experience.
Michelangelo Carubba from Turkuaz even went so far as to route his flights to Turkuaz gigs just so he could swing through Syracuse and play on one song. Mikey was Dopapod’s original drummer, and we’ve known each other since we were kids going to Berklee. It meant a lot for me to be able to make music with him again.
Pat Markley is an amazing bass player that I started running into at jam sessions up in Vermont, where I live, and he played most of the bass you hear on the record. We did everything through e-mail, with me sending him tracks and just giving him a general gist of what I was looking for for each song, and he knocked it out of the park.
And lastly, for the song Garbage Man, I was hanging with Jocko at the studio and said how badly I wished I could have upright bass on the song. He said “let me some calls,” and a couple hours later he opened an email with this gorgeous upright bass track on top of Garbage Man, played by Joey Arcuri of Driftwood. I actually still haven’t even met Joey in person, but WOW did that song get a whole new dimension from his playing. “
APM: We have bumped into you a few times at festivals and you are one of the nicest people out there doing music. It’s something that I can say is so appreciated. I follow you on Instagram and love how much you interact with your fans there. (the videos are the best) Is that connection with the people who dig your music something that is important to you as a player?
RC: “I’m actually a pretty private person overall, and I have some pretty substantial social anxiety. (Who doesn’t?) That being said, I love playing guitar more than anything, and how cool is it to have people care about something that you really just do because it’s fun? Am I really gonna complain when someone wants to say hello because they love a record I made, or guitar solo I played, or a lesson video I posted? Nah.
That being said, there’s a time and a place for stuff like that. Last night I went out to a concert with my girlfriend, and a lot of people came up to talk to me. I don’t mind it as long as they don’t mind that I actually am pretty quiet and don’t have a whole lot to say. In particular when the show’s happening I have a hard time interacting with people, simply because I get stressed because I can’t hear what they’re saying, and I wanna hear the music! “
APM: You do a TON of sit ins and solo work out on the live music scene, and to me, it shows how much you deeply love what you do. What has been your favorite sit in that you have done? Is there someone you aspire to work with live or in studio that you haven’t been able to yet?
RC: “I’ve done a lot of gigs with Mike Gantzer from Aqueous, but we’ve yet to be able to write any music together. I’d love to do that with him.
As far as sit ins, I got to play with Dweezil Zappa a couple years ago at Catskill Chill, which was just the coolest thing ever. Sadly, there’s no documentation of it anywhere.
Also, right when I moved to Burlington last year, I was walking around the downtown area and I ran into Vinnie and Al from Moe. They were playing an acoustic set a store called Tailfeather, and they invited me to sit in at it, and then again at their show that night at Higher Ground. That sit in was amazing and really important because it led to some really surprising and wonderful things for me that don’t even have anything to do with music. “
APM: I have this vague recollection of you teasing the song Same Damn Thing a while back. It was a post on Facebook where you specifically called out the gimmick concept in the scene. I was REALLY hoping it was released because you hit the nail on the head with a lot of thoughts I tend to have about the scene for the last bunch of years. What was it that inspired this song?
RC: “I was really angry when I wrote that song. I had spent ten years pouring everything I had into my band, and by that point I was back to square one. No band, not really doing anything, feeling pretty low. Meanwhile, all my friends in other bands seemed to be on top of the world, and I had to just sit and see all these posts about sold out shows, tour buses, festivals, etc. All this fun amazing stuff that I missed. Anyhow, I realized that I could either make a vitriolic, useless Facebook post where I complained, or I could make something artistic with the way that I felt. Sometimes I regret writing it. In fact, Dopapod played it at a show recently, and I felt kind of funny singing it; I just don’t feel that angry anymore. But it was honest and pure (albeit uber cynical) at the time that I wrote it, and I feel good about using the way I felt to be creative and proactive.”
APM: Any upcoming dates we can pencil in our calendars to check out some live music goodness?
RC: “I’m gonna do some acoustic shows in October with my friend Haley Jane so keep your eyes peeled! And I’m also playing a few trio shows. One with Chris and Adrian from Kung Fu at Heady Vermont in Brattleboro on September 28th, and another on October 10th with Pat Markley and Dan Ryan at Higher Ground in Burlington VT, opening for West End Blend.”
Do yourself a favor and grab a listen of Same Damn Thing. It’s a fantastic record that will keep you guessing from track to track, while giving you a whole new look at what makes Rob Compa one of the best guitarists and songwriters in the scene. It’s 100% A Perfect Mess approved, and highly recommended! Get out and check out Rob’s upcoming dates!
New Jersey’s northern “Prunk” rockers Fish House Road have been doing their particular brand of funk and prog since 2011. Playing local venues as well as supporting national acts like Consider the Source and The Slide Brothers, the band has spent the last eight years creating a strong following and bringing a damn good time to their stage with their high energy and spirited performances. The band delights in audience participation and stage improvisations. It’s a good show to check out all around.
Recently, Fish House Road debuted a new single for us all to digest called Honey Drip. Always one to give first dibs to my fellow New Jersey jammers, I was more than happy to give the track a good, long listen.
Let me tell you, I was not at all disappointed.
The band gets a lot done in this song in just under four minutes. It’s a hard hitting tune, and it kicks in pretty deep right out of the gate with interesting usage of different genre concepts and puts together this orchestra of sound. It’s got a great traditional rock edge laced with that familiar prog rock soaring feel. The guitar and drum hits create this roller coaster feel, waxing and waning in tempo and intensity. The vocals are pretty cool with just enough melodic warmth and hard edge. It’s and not at all flashy and fills out that sound in a big way.
There is a pretty stellar sax solo about halfway through, care of Tigerman’s Adam Carelli, followed by a soaring guitar solo. It’s easy to get into what these guys are putting down – this song has a really cool sound. The drums and bass are steady and help that rise and fall groove that the song maintains throughout. The sound is big! I am pretty stoked to check it out live, and even more so to hear what is coming next for Fish House Road.
In addition to the bad ass song, the gorgeous artwork was hand drawn by Catherine Hart from the Y’all Art Project, a nonprofit organization that provides art therapy for kids recovering from abuse and other traumas. Big props to the Fish House Road guys for partnering with such an incredible organization. That’s pretty freaking amazing.
In addition, stellar guitarist Dan Morrell tells me there is a partnership in the works with 2nd Act Beer to release a Honey Drip Brew this fall. Fall + Music + Beer = WIN in the eyes of A Perfect Mess. Definitely head over to Spotify and give Honey Drip and Fish House Road a good listen, and keep your eyes peeled for what these guys have coming down the pike. Head on out and check them out live where you can this fall! You can check out their upcoming shows over at https://fishhouseroad.com/shows
I am sure that I am not the only person in scene media who has been struggling for the last week with exactly what to say, when to say it, and how to put my feelings out there about the Disc Jam situation. I have been reading and following the online threads and the few band statements that have been issued. Knowing exactly what to say as someone who is supposed to know what to say is difficult, but I simply cannot keep myself quiet anymore. You all deserve better than that of me.
My husband and I have covered the Disc Jam festival for three years. Between previews, reviews, artist interviews, and general social media promotional efforts, we have dedicated a lot of time and effort to help grow a festival that we truly looked forward to every year. We were aware of some issues that have surrounded the festival, but we have no first hand experience with any of it. We never had a run in with the police, and until this year, we never even met it’s owner and organizer. (and this year it was for about 8 seconds – I simply wanted to say hello since after three years of my efforts, I had never met the guy) We looked forward to and enjoyed our annual trip up to the festival every year. That being said, we genuinely had NO IDEA that any of what is now coming very publicly to light was going on. Had we known, things would have been very different.
I am heartbroken for any victims in this situation. I am angry for you that it was allowed to go on. I am angry I didn’t know because I would not have poured so much of myself into the work I did for the festival. I am angry that this culture exists and people are so desensitized to it that we actually, every day, excuse shitty behavior under the guise of, “Well, that is just the way so-and-so is” and “You just have to deal with it if you want to be a part of blah-blah-blah”. I won’t deny that I heard comments about bands not always getting paid, or small criticisms of the festival being met with anger and threats of “not being welcome next year”. These were commonplace around the festival and something that everyone seemed to meet with shrugs because we all wanted to be there. Something I now feel shameful for. None of those things are uncommon with promoters (again, we need to stop allowing shitty to be normal. Why do we allow this to be so ok?)
However, these allegations, these stories of major abuse – I never heard that.
I didn’t know.
I wish that I did.
To the victims, I won’t pretend to know what you are feeling. Your stories have horrified me. They have made me angry. They have made me unbelievably sad. They have made me physically ill. I feel horrible for what you have endured and the fact that for so many years, there WERE people that knew and did nothing. I can only say that I also have my own #metoo stories from people in power. I stand with you.
For me, I have scrubbed my social media of my promotion for the festival. I am taking down any and all blog posts I have done. I do not want this blog that I have given so much of myself to for the last (almost) decade to show any support for such shitty, shameful behavior. A Perfect Mess will not be affiliated with this. I don’t care if it means I never cover another festival again. This cannot continue to be normal. This has to stop.
In between my anger and sadness for the victims is a sadness for all those who did some incredible things at the festival over the years and feel a bit tainted by it all right now. To all of you that played in or worked on the festival purely for the love of your creativity, know that your efforts are not lost. Your art was still beautiful. Your music was still amazing. Your food was still delicious. Your pictures were still captivating. Please continue to create. Let’s use our powers of influence and creativity to STOP this shitty culture from permeating our wonderful scene any more than it already has. We can’t change what has been, but we sure as hell can change what will be.
Let’s see to it that our efforts have not been lost on all of this. Create, speak out, and support victims and fighters. This shit needs to STOP, and you all have a voice.
We are better than this, and it’s time to fucking prove it.
A Perfect Mess
If you happen to catch something I missed, please let me know so that I can have it removed.
For more on what you can do, please see:
What To Do When You Can Say #MeToo: A Guide to Discussing Sexual Harassment/Assault (Part 1)
We have officially made the jump from old Blogger site to shiny new proper website! This of course means that Amanda needs to get better with WordPress and general web design – but it’s getting there! This is a purely editorial blog with a positive spin and a sense of adventure. Our goal is to convey that as much as possible with everything we put out there. MUSIC IS LIFE! And music should be shared. That is what we do here/ Stick around!
Oh, and send me stuff! If I have not written about it but you think it’s amazing, I want to hear it!
I don’t know about you, but there is nothing I like more right now than Breakfast. More specifically, The Breakfast.
The Breakfast started way back in 1998 in East Haven, CT originally as The Psychedelic Breakfast, a play on the Pink Floyd song Alan’s Psychedelic Breakfast. They released their first album in 1999. There have been some lineup changes here and there, but the one thing that has always remained consistent when someone talks about the band is how freaking GOOD they are. The Breakfast is comprised of some of the most intensely talented players within and well outside the jam scene. Tim Palmieri, best known for his incredible work with Kung Fu and Z3, is on guitar. Adrian Tramontano, also of Kung Fu as well as about a million other projects and instruments because he’s that good, is on drums. Chris DeAngelis, also of Kung Fu as well as his solo project LoEndFreque , is on bass. Jordan Giangreco, who has played all over as well including in Viral Sound, is on keys. Everyone does vocals on this record. Everyone, and the vocals are amazing. This is a legendary band full of far above average players. It’s been a while since we had new music though, their last release being a self titled release from 2008.
Well, guess what? The Breakfast put out something new and amazing for 2019 called Phantasmagoria, and believe me when I tell you that you need this record in your life.
There is this insanely diverse variety of tastes and sounds comprising the songs on this album, all of which take you in a different direction while sticking to the same excellence that we fully expect from these guys. This album is like a really good buffet. Every song gives the listener the opportunity to sample a different flavor. You don’t have to settle into anything though because the next plate you come to is another sound, another direction, but still the same outstanding writing quality and playing. There are options you didn’t even know you wanted! You can play the album through and taste it all, or easily get stuck on any one of the individual tracks and stay there a while. You can do both. Either way, you walk away satisfied.
The first track, Metropolis, has a heavy hitting but still jam tasty sound. The vocals are straight rock with intense backup harmonies laid over grooves reminiscent of late 70’s funk rock. The solos, and they be many, take you to another world each time they start. Palmieri’s incredible chops show brightly here on guitar with that effortless intensity he is so damn good at. The drums, as usual with anything Adrian touches, are above and beyond normal. He’s one of those drummers that you see play and you stop dead in your tracks just to watch because it’s just not normal to be that good. The bass is other worldly as well. One of the things I like best about Chris DeAngelis and the way he approaches the instrument is that he can make it make sounds that I didn’t know a bass could. There are lots of people out there playing bass. There are few that make it sound like Chris does.
The next track, Shotgun Butterfly, takes a whole new direction from where you were. It’s got a bluesy cool in the vocal and groove. The sound is just enough heavy rock, just enough dirty, but still brings that funk undertone. The keys are cool and laced through the song, brightening up while the bass takes it darker. It’s a cool contrast that adds to that hip swinging cool thing that the song has. Right about the 2:45 mark, the song breaks down into solos that will melt a little bit of your brain. The record then skips over to the track Rush which goes is a completely different direction from the last two songs. This song sounds like someone threw a couple ska punk bands in a blender with Frank Zappa and gave everyone a lot of coffee. The song then goes from a skanking upbeat dance party to a thoughtful, intense and a little bit spacey jam. It’s three different directions in the first three songs. But wait, there’s more!
Another track to check out is Rust, a rock track with a great chugging groove and great vocal. The bass in this song is crazy good and the keys are otherworldly. Jordan Giangreco does this thing with piano in this song where the keys trickle and travel along. You can almost see the notes dotting an imaginary line in your mind that dips and ducks like a rollercoaster. It’s one of my favorite aspects of this song. Another great thing is how everything gathers in this song. All the components and pieces come together and create this incredible collage in your mind as you listen. The Breakfast are just not like other bands. They are not one trick pony songwriters. They don’t put sounds together like other people. This is a mashup of players who look at music like the language it is and they sing it as many ways as they can. You can just sit and listen to each song and dig into one aspect of the track. Then you can start the same song over and dig into a completely different aspect of the track. Each song is a multifaceted work of art that wants you to shake your tush. This record is really freaking great.
Don’t take my word for it, as I am simply your guide on this journey! Get yourself a copy and give it a good, hard listen. You won’t be the same. You can get your listen to Phantasmagoria from The Breakfast right on Spotify, or purchase your copy on their Facebook spot. Better yet, catch them doing their thing live all over the damn place this festival season! They will be hitting Branch Fest 2019 at the end of May and were just announced as part of this year’s Disc Jam 2019 lineup, thanks to intense voting by fans! Get out there and get some Breakfast!
Last year at Disc Jam, we happened to catch the guys in Fake Flowers Real Dirt doing their thing on stage and we have been fans ever since. This Baltimore band has a sound that blends funk, hip-hop, and groovy throwback jam vibes with soul infusions that keep feet tapping and bodies moving. Their stage presence was fantastic. I have to admit that I have been chomping at the bit a little bit for some new music from them. Naturally then I was THRILLED when I was asked to give a listen and a watch to the band’s new politically charged track, “Upside Your Head”.
Right out of the gate, this track is fire. It’s got a solid intensity while still maintaining the wicked groove that Fake Flowers Real Dirt does so well. The vibe is awesome and vocal on this track is killer. Listen to the words because it’s important! This song is speaking a whole lot of truth for our current conditions. It’s my personal opinion (obviously, as is this whole blog) but there are not nearly enough protest songs happening right now, and there should be. This is a scene that loves to brag of it’s roots and it’s social stance and activism, but given the opportunity to take a stand, there is a lot of should shrugging and “no comment” happening. There are a lot of very prominent bands who don’t want to go on record as having an opinion in these charged up and turbulent times. I am absolutely LOVING that Fake Flowers Real Dirt have put their foot down and made their voices heard with this track.
The video that accompanies the debut of this song it’s super fun. It is a mashup of presidents and other politicians that seem to be grooving and syncing to the words. It brings a bit of lighthearted fun to a serious matter, and it’s awesome and very well done. Don’t worry, the video is non-partisan (as much as it can be) but the song has an important message about the state of our union that needs your ear. Trust me when I say your body will be moving the whole time, as this song is outstanding. I am hoping this is not the last we hear from Fake Flowers Real Dirt for a while because if this is a taste of what the band has going on, we are in for a damn good time while we work to make changes.
Montage Mountain is about to get a whole lot sweeter this coming July with the return of the Peach Music Festival! This year’s lineup is sure to delight the eyes, the ears, and the soul with its blend of jam, funk, and electronic flavors spread over four days and gorgeous Pennsylvanian grounds. Come and get down at The Peach Music Festival this year, July 25 to July 28 in Scranton, PA!
The big headliners at Peach are usually amazing, and this year didn’t let anyone down. Phil Lesh and Friends, featuring Warren Haynes, John Scofield, and John Molo have the main headlining spot this year. Attendees can also enjoy two sets of the Trey Anastasio Band and three sets of The String Cheese Incident. I mean – seriously! That right there is enough for a mind blowing festival, but Peach is barely getting started with the headliners. Greensky Bluegrass, moe., Lotus, Blues Traveler, Lettuce, Stephen Marley, The Marcus King Band, Aqueous, Fruition, Big Something…I’m not even halfway done and I am salivating just typing this. Peach this year is absolute FIRE with the lineup! This is a seriously funky, jammy, dance your tush off weekend of music with something for everyone.
Montage Mountain itself is absolutely lovely. Right outside the town of Scranton, PA with its fascinating railroad and mining history and gorgeous mountain views, the area creates a dreamy setting for a music festival. The ski area is beautifully green come summer and spread out with enough room for everyone to camp, rock out, and make wonderful new friends. Be aware campers, it is a mountain! The festival suggests packing light with your camping gear as there will be some terrain to cover to get to your campground. It makes that first ice cold beer all the more worth it though once you are settled in. There are several nearby hotel accommodations as well for those who prefer a bed over sleeping under the stars.
Tickets are rolling out right now for the festival. You can find all the ticket information needed right HERE on the festivals website including passes for camping, glamping, travel packages, and general admission to the festival.